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Trishla Jain explores social memory RELATED ARTICLESArt Deco jewellery shines againLearn the art of French parentingGrand exhibition marks end to 8 day graphic art campActress Sanjjanaa at an art exhibition in HyderabadGreeshma Gopalan s art show, Acme held in KochiMiley Cyrus bares all again for Adore You cover artArt joins hands with bank for social cause TOP STORIES ACROSS CITIES81% Patna students OK with bribe: Survey2 khap leaders in race for AAP ticketsRam Jethmalani falls in ChennaiPirates loot Sunderbans touristsBaby body found in actor Nutan bungalow pool787 species recorded on Big Bird DayMan arrested after quarreling for Rs 47 extorts money for spitting, heldTeacher suspended for abusing students in KeralaModi teacups storm lassi landmore MUMBAI: Tangerine Trees Marmalade Skies, Trishla Jain s sure footed debut solo in Mumbai at Gallery BMB, is an involuted portrait of the artist. Through this new body of work, Jain explores our cultural and social memory. Instead of falling prey to the discourse of splitting, wherein there ugg boots pink are binaries galore, Jain has created a body of work that is decidedly confluencial. Much like any young artist, Jain operates from behind a smorgasbord of cultural references. So even as she likened the painting i am, a triptych, to a mandala, the sounds of Jeff Buckley s sterling cover of Leonard Cohen s Hallelujah could be heard in the gallery. Dr Saryu Doshi, art historian and former director of the NGMA, Mumbai, who was visiting the exhibition for the second time, was impressed by Jain s use of colour and texture. "This is a very joyous show. Trishla s exuberance comes through. She s got youth on her side and is clearly excited by the possibilities it holds. Her approach is very fresh and unlike anything else I ve seen. The lively manner in which she brings varied elements like literature, music, art history, cinema and calligraphy together in her work is truly wonderful." Despite its emphasis on painterly explorations, Doshi regards Tangerine Trees Marmalade Skies as not classical. She says, "It reminds me more of the vibrant aesthetics of graffiti." A germane observation; in the quotes that variously dot the gallery and occasion an intelligent conversation with the artworks located in their vicinity, Jain has indeed referenced the legendary British graffiti artist Banksy. Describing the nature of these tropisms, Sarraute writes, "They are indefinable movements which glide very rapidly to the limits of consciousness; they are at the root of our gestures, our words, of the feelings we manifest, which we believe we feel and which we can define. They seemed to me and still seem to me to constitute the secret source of our existence." This thought then is a perfect introduction to the artist s practice. Doshi taps the artwork she s sitting on, an elaborately reworked seating arrangement comprising a table and stools titled I own every piece of vintage Chanel jewellery ever made and states without hesitation, "There s a lot of talent here." For the work in question, Jain undertook an elaborate process, which concluded with embedding pictures of vintage Chanel jewellery on to the surface of the said furniture. "I think this work is a wonderful reading of our culture of accumulation. Trishla s choice of locating it in everyday functional objects amplifies the significance of the work," Doshi adds thoughtfully. Not far from where Doshi sat was a work titled Come In, Come In. The work is a contemporary interpretation of the Wunderkammer, German for wonder room, popularly known as cabinet of curiosities. where can i buy ugg boots in store A Renaissance Europe preoccupation, these cabinets were crammed with an encyclopaedic collection of objects whose categorical boundaries were as yet unclear. In Jain s cupboard of curiosities, we encounter a clutter of objects, including a large selection of keys, mirrors, etc. With this imaginatively created clutter, the artist reiterates the idea of shifting boundaries. Looking in the direction of ugg moccasin the work, Doshi emphasises, "Talking to Trishla brings new depth to the work because it helps one catch little nuances that would ve otherwise gone unnoticed." About usAdvertise with usTerms of Use and Grievance Redressal PolicyPrivacy policyFeedbackLiving and entertainment.

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Tristan Gemmill plays Sol Ridley How would you describe Sol? Sol is someone who is middle class, whose parents weren t super rich but who worked very hard to give him an education. He s probably ugg boots america got a little bit of a chip on his shoulder because of that. He s a little bit . I don t want to say flash because that sort of gives the wrong image, but he s very self confident, sharp and quick and bright, and really wants to test himself at the ultimate level for a barrister, which is a murder case. So when the Powell brief drops into his pigeon hole he s very excited. What I liked about it was that it was very character based the characters were clearly different and had their own voices. I couldn t guess what Tony kensington ugg boots s situation was by the end of the first script, so it made me want to read the second one. I liked the fact that Sol is flawed and vulnerable and interesting, rather than just a sort of cardboard cut out of a brash lawyer type. He s got personal issues, things aren t brilliant in his married life, and that slowly starts to bleed into the story, especially in his relationship with the character Julie. I thought all of that was a challenge and a really well rounded piece, and I liked the way the story was told. When Sol gets this murder brief, he chooses Julie to assist him a decision that Valerie doesn t necessarily think is the right one does she? Valerie doesn t necessarily think it s the right one, and nor does Gordon, the clerk of the chambers. There is clearly an affinity between Sol and Julie from the start, but I think in Sol s mind there s nothing sleazy or predatory about it she genuinely is the best junior in the chambers. She s on the up and people are talking about her. She s bright and confident and going places. Sol has to defend Tony he s charged with murder, he claims it s assisted suicide. Do you think Sol believes him or do you think he thinks he really is hiding something? I think Sol sort of avoids the issue really, whether Tony is innocent or not. That s something that pre occupies Julie, certainly more than Sol. There are several instances throughout the series where she speculates about it and he more or less says whether or not that s the case, that s not our problem our job is to do the defending in court, and to counter the arguments of the prosecution . I know it sounds really crass and calculating and dry, but I think that s quite accurate in terms of the legal profession. What do you think about the drama tackling such a difficult subject matter? Our series tries not to make moral judgements but presents a story as plausibly as possible so that the audience can then decide. We re just telling a story about people that could easily happen and may have happened, and that s what I think is interesting. A lot of people will know you from Casualty; what s it like having finished working on a drama like that and coming to do this drama? It s scary but ultimately a very good thing because as an actor you always want to keep things as fresh as you can. While I have an awful lot of affection for my Casualty character and the time I spent there with such a great bunch of people, four years is a decent run and I m very pleased and proud to have been able to do that, but ultimately I think that one of the reasons that you become an actor is so that you don t have the same nine to five job every single day. You have to draw a line under it and move on to something new and completely different and challenging in a different way. Sol is a different character to Adam Truman isn t he? Yes, he is. Adam was kind of unlucky and semi tragic while essentially a good person trying to thrive against the odds, whereas Sol is a go getter and probably less caring about other people s feelings, but who at the same time is reaching a bit of a cul de sac moment in his life. He s examining himself objectively for the first time in a long time, and perhaps realises that there are issues that he has to face. In an emotional sense Sol is probably less mature than Adam Truman in Casualty. The Case is the latest series for BBC One Daytime, and the channel has got a reputation for producing good drama for the daytime audience. What do you think ugg boots on sale for women about the whole genre of daytime drama? I welcome it completely; I think it s about time. The public want to be told stories, so I welcome the return of daytime drama in that respect. Also, with the revolution in digital media, you don t necessarily have to watch something at 2.30 in the afternoon or 11 in the morning. When a show goes out is less relevant than it was maybe five years ago, and I think people are cottoning onto that. I think that probably lets organisations like the BBC maybe experiment a bit where they possibly wouldn t have been brave enough to do that a few years ago. What else can you tell us about The Case? Just that I love the script I think it s a good story, well told. I think right up to the end it keeps the audience guessing, and that s a good thing. From my own point of view it s been the perfect job for me really, to come along after being in Casualty for the length of time I was, and to do something so different and to stretch my wings a bit. It s been a whirlwind but it s been a blast, and I think we re all really proud of it. BBC links Mobile siteTerms of UseAbout the BBC PrivacyAccessibility Help CookiesContact the BBC Parental Guidance BBC 2014 The BBC is not responsible for the content of external sites. Read more. This page is best viewed in an up to date web browser with style sheets (CSS) enabled. While you will be able to view the content of this page in your current browser, you will not be able to get the full visual experience. 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