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Trishla Jain explores social memory RELATED ARTICLESArt Deco jewellery shines againLearn the art of French parentingGrand exhibition marks end to 8 day graphic art campActress Sanjjanaa at an art exhibition in HyderabadGreeshma Gopalan s art show, Acme held in KochiMiley Cyrus bares all again for Adore You cover artArt joins hands with bank for social cause TOP STORIES ACROSS CITIES81% Patna students OK with bribe: Survey2 khap leaders in race for AAP ticketsRam Jethmalani falls in ChennaiPirates loot Sunderbans touristsBaby body found in actor Nutan bungalow pool787 species recorded on Big Bird DayMan arrested after quarreling for Rs 47 extorts money for spitting, heldTeacher suspended for abusing students in KeralaModi teacups storm lassi landmore MUMBAI: Tangerine Trees Marmalade Skies, Trishla Jain s sure footed debut solo in Mumbai at Gallery BMB, is an involuted portrait of the artist. Through this new body of work, Jain explores our cultural and social memory. Instead of falling prey to the discourse of splitting, wherein there ugg boots pink are binaries galore, Jain has created a body of work that is decidedly confluencial. Much like any young artist, Jain operates from behind a smorgasbord of cultural references. So even as she likened the painting i am, a triptych, to a mandala, the sounds of Jeff Buckley s sterling cover of Leonard Cohen s Hallelujah could be heard in the gallery. Dr Saryu Doshi, art historian and former director of the NGMA, Mumbai, who was visiting the exhibition for the second time, was impressed by Jain s use of colour and texture. "This is a very joyous show. Trishla s exuberance comes through. She s got youth on her side and is clearly excited by the possibilities it holds. Her approach is very fresh and unlike anything else I ve seen. The lively manner in which she brings varied elements like literature, music, art history, cinema and calligraphy together in her work is truly wonderful." Despite its emphasis on painterly explorations, Doshi regards Tangerine Trees Marmalade Skies as not classical. She says, "It reminds me more of the vibrant aesthetics of graffiti." A germane observation; in the quotes that variously dot the gallery and occasion an intelligent conversation with the artworks located in their vicinity, Jain has indeed referenced the legendary British graffiti artist Banksy. Describing the nature of these tropisms, Sarraute writes, "They are indefinable movements which glide very rapidly to the limits of consciousness; they are at the root of our gestures, our words, of the feelings we manifest, which we believe we feel and which we can define. They seemed to me and still seem to me to constitute the secret source of our existence." This thought then is a perfect introduction to the artist s practice. Doshi taps the artwork she s sitting on, an elaborately reworked seating arrangement comprising a table and stools titled I own every piece of vintage Chanel jewellery ever made and states without hesitation, "There s a lot of talent here." For the work in question, Jain undertook an elaborate process, which concluded with embedding pictures of vintage Chanel jewellery on to the surface of the said furniture. "I think this work is a wonderful reading of our culture of accumulation. Trishla s choice of locating it in everyday functional objects amplifies the significance of the work," Doshi adds thoughtfully. Not far from where Doshi sat was a work titled Come In, Come In. The work is a contemporary interpretation of the Wunderkammer, German for wonder room, popularly known as cabinet of curiosities. where can i buy ugg boots in store A Renaissance Europe preoccupation, these cabinets were crammed with an encyclopaedic collection of objects whose categorical boundaries were as yet unclear. In Jain s cupboard of curiosities, we encounter a clutter of objects, including a large selection of keys, mirrors, etc. With this imaginatively created clutter, the artist reiterates the idea of shifting boundaries. Looking in the direction of ugg moccasin the work, Doshi emphasises, "Talking to Trishla brings new depth to the work because it helps one catch little nuances that would ve otherwise gone unnoticed." About usAdvertise with usTerms of Use and Grievance Redressal PolicyPrivacy policyFeedbackLiving and entertainment.

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